Skip to main content

My Week With Christina - By Lauren Phillips


When I first arrived at Christina's studio I found it to be very Professional and clean. On the the first day, we had a meeting in Coventry with One Vision Imaging to discuss different types of frames and glass. Also Christina suggested they tried something different by taking certain elements of one frame and glass and changing it, creating a new product they could sell.


When it came to Wednesday, we had a group of 4 men from a very high end business company. Whilst Christina was photographing the men, I was watching and looking at all the positioning of the lights and where Christina was stood. Overall I think this day was good for me because it showed me how an ordinary day was for Christina. After the photo shoot Christina showed me, on the computer how to edit the photos and make them so that the photos were pleasing to the customer.


Later on that day, Christina took some photos of me and then I got to choose the one I would like processed and edited. Then showing me on Photoshop, Christina would tell me what relevant icons she needed to use to edit them. After she showed me what to do she gave me a little trial run to see if i remembered how she did certain things and for me to just get used to the software and her awesome pen and pad-mouse?


Thursday. Well, we were expecting a client but it turned out that she told us the wrong day, never mind. But the good thing was that the studio was set up ready for me to use with my friend (client) later on. Christina gave me some time to edit and process another photo we took from the day before, which was nice of her. When i was finally finished; bearing in mind that it did take me a long time to get used to the software and remember where everything was stored, I asked Christina for her opinion and she was very impressed with my first actual photo..edited! Phew, I passed!


It was now only 1 Hour away from me photographing my friend, Ella. I was really nervous but excited at the same time because I had never done this sort of thing before. Christina tried a few shots with me just to make sure that the lighting was right, but would soon have to change it as Ella is nearly 6ft! Thankfully Christina let me go outside and take photos so I would get used to the focusing and how heavy the camera was (it was really, really heavy). I came back inside to show Christina my photos. She took out the memory card and then we looked at them on the computer. She told me where the focus point actually was and if it was even in focus at all; which some were not.


Ella has now arrived. I set Ella up in the position I wanted her, but then we had to adjust the lights because of how tall she is. Also, Christina wanted to try something different; having a light flare coming in from one side on an angle, which was interesting.


Christina stayed in the studio just to see the first couple of shots and how they turned out. Now we were left on our own. I directed Ella pretty well I thought, but I bet she would beg to differ. The photo shoot went pretty well, we changed backgrounds and changed clothes and I even got photographed. When we were finally finished, I showed Ella how we edit the photos and she was amazed that all her flaws were gone, not that she had any anyway.


Friday. My last day. I finished off editing the best photos I took on Thursday and I am very proud of myself to have been challenged with something this different to what I'm used to. However, I have enjoyed this experience and hope to keep in touch with Christina and she is a brilliant photographer! I would recommend her to anyone and everyone who needs school photos or portraits, whether it be of themselves, family or friends.

Comments

Popular posts from this blog

Male Nude Masterclass at the Societies Convention in London

Here are the results from my masterclass at the convention just over a week ago. During this talk I set out to show 3 different lighting techniques using just 2 lights and a white background. I sometimes use more than 2 lights but I wanted to show that good photos can be produced with the minimum of kit. For the first we used a beauty dish to light our model with a second light for the background to give us a high key result. Had I been in my studio I would have used 2 lights to light my background but for such a tight crop the one light (centralised) was clearly good enough. For the second I used a softbox (strip light) on one side with barn doors on the second light on the other side. In hindsight I wish I had a grid with me to soften the light coming from the barn doors side. Not being in my studio I didn't have all my kit to hand so had to use what was available on the day. I found the bare bulb a little too strong here. Notice how we managed to get the whi

Fine Art Portraits of a Beautiful Young Girl

So this is really becoming my thing lately. I am having so much fun working with children individually where I can direct and interact in ways that bring the best out of my subject. This has certainly become a process now of creating rather than taking photographs. And its what I have always wanted to be, a portrait artist rather than a photographer. I cannot put into words fully just how rewarding this is. For each of these shoots (as with nearly all of my shoots) we begin with a consultation where we discuss what we would like to achieve in the shoot. Here we will consider the type of clothing and any possible props. We will look at both the clients clothes and my ever growing collection so we can pick what will work best. In all circumstances we are heavily guided by what the child in the portraits wants to wear as I see this as vitally important. If he or she is uncomfortable its going to show and the portraits won't work. But most are happy to play dressups and wear a com

Portraits Even a Teenager Boy Loves

Finally I've had the opportunity to photograph a young man in my studio again. And funnily enough this was the second time that week which is absolutely superb. In both cases these young men were just as enthusiastic to be involved as I was, which is something I don't often get when I'm working with very young children, my usual subjects. With young children I find my energy in their cuteness. But with young adults I get energy from their excitement over how the portraits are working out. I get such a buzz from the experience and that can keep me going for hours, often editing the photos straight after the shoot for hours more. Shoots for teenagers is something I've been wanting to focus on for some time. Its not something that I often get asked for though unfortunately. It tends to be parents of very young children who want to capture moments that are slipping through their fingers at lightening speed. Maybe its teenage moodiness that means these moments don&

Family Portraits with Fine Art Flair

I have a love and hate relationship with family portraits. I love the finished piece and creating something that is truly special to the family. I love that in years to come something I made is going to be a cherished and valueable memento for this family. What I struggle with, is getting all members of the group to look their best at exactly the same moment in time. You would be surprised at how difficult this actually is, particularly when it comes to 6 children. But I always get there in the end, whether it is the luck of a moment or with the aid of Photoshop. I ensure that everyone in the portrait is looking their best, even the dog. Seeing as this family is actually made up now of two families we also did portraits in their respective groups which I chose to do in different style to their main group. I love adding a bit of style for the overall main group and what you see above is something that is proving popular with my clients. I love adding props and giving a sort of Vani

Family Photos with Flair - Vanity Fair Style Family Portraits

This style of portrait continues to be the eye catching success I had always hoped it would be. Once again I created a beautiful family portrait that I am really proud of and I know this family loves too. Over the years I have developed this style through influences such as Vanity Fair and the many photographers I follow, though I hope that there is something in here that is entirely my own. Having my work easily identified as my own was a goal of mine from the start. Getting to the point where people will want not just a portrait but a Christina Lauder portrait is where I've always wanted to be and I'm hoping I'm on way. These portraits were created for the family of two professional photographers who wanted some portraits of their own. Family portraits isn't really something one can do of oneself, at least not easily. So they needed the services of another and I was honoured to be chosen for the job. They chose me not just for my style but also for my ab