Skip to main content

Superclass at the Societies Convention on Child Portraiture

This is already starting to feel like ages ago even though it took place less than a week ago. But I thought I'd share with you what we got up to at 9am on Sunday after the Awards dinner.

I began the class with the usual Power Point going over what to consider when planning portraits. We covered clothing choice, appropriate props, lighting patterns, white balance and more.  And then we went into a lighting demonstration.

(Thank you to Lee Broders for supplying me with some images - I've never had any photos of me working like this before)

I was fortunate enough to have a wonderful little boy named Noah join us as my model.  He made the journey from Leicestershire just so he could model for me (and enjoy a day out in London).  I was so glad he came in the end because he did exactly what I wanted him to.  He posed lovely in his usual sweet style and helped keep me at ease when demonstrating.  You never know what you will get with children and having a room full watching isn't the easiest place for a 4 year old to perform, but he did.


During this class we talked a bit about posing, lighting, sorting and processing.  In the end there was so much to cover I'm not sure I did it all justice and perhaps next year this could actually be 2 separate talks.  I'm sure I could have stretched this to 8 hours.  I'm just not sure how best to break it up. Any suggestions are welcome.

I would like to share a few finished images.  The first 3 illustrate the differences in fill intensity, as we briefly discussed during the class.  I would have preferred a much stronger contrast between the 3 but hopefully this explains it well enough.

(A Strong Fill Light)

(Fill Light that I think is just right)

(No Fill Light)

Now as I said during the class, this all comes down to personal preference and the subject at hand. Consider the image you wish to create when setting your lights.  The key light is where the correct exposure must come from.  The fill light just opens up the shadows to the degree that you feel is necessary.  And thankfully we shoot digital so its easy to see if we are getting what we want quit quickly.  The more you get to know your equipment and your desired effect the easier it will be to set the lights without even thinking about it.  


And here is another image where we tried to get the white background to go very dark.  This is something that is easy to do with a little more space and a grid applied to the keylight to stop the fall off from reaching the paper.  Unfortunately we were just a little too close and too much light was hitting the background paper.  But hopefully you still get the point.  

I've finished these images as covered during the class. This is also typical of the way I often process my own studio work and it is much the same as the work I did on my Fellowship panel.  

For those in the class I hope you gained a lot from it. You are welcome to get in touch if you have any questions.  And for those not in the class, maybe I will get to see you next year.  I will hopefully be speaking there again.  In the meantime if you wish to attend a class with me, either as a group or on a one to one basis please get in touch.  You can reach me on 01455 611069 or email me at christina_lauder@btconnect.com.  

Comments

Popular posts from this blog

My Associate Panel

As I mentioned in my last blog, I achieved my Associateship in Portraiture with the SWPP (Society of Wedding and Portrait Photographers).  I just thought I would share with you the panel I submitted.  Having sat through the assessment I see that there are a couple of images that I wish I hadn't chosen, more so due to not having enough variety rather than the lack of quality.  but overall I am pleased with my submission. I always thought that once I achieved my Associateship I would be done with qualifications.  Working towards a Fellowship just seems so unattainable.  I don't think I can just sit here not striving towards a goal though.  Besides, my husband has already set 5 year plan.  So I guess I've not seen the end of qualifications just yet.  But don't be expecting any news on this front for quite some time though.  A fellowship is on an entirely new level and its going to take a lot of work. 

5 Reasons you Should Consider Getting a Professional Headshot

Headshots, or profile pictures are becoming a requirement of so many tools we regularly use or reference today. From Facebook to Linked In, Instagram to Twitter and often any website that represents a company for which you work or own will have a place to include a photograph that is meant to show your audience who you are. And how you present yourself there will tell your audience so much about you. 1. A profile picture is your first opportunity for your audience to see you. Its often the first impression you make and we all know you only have one chance at a first impression. A professional photographer has the skills to show you in the best, most suitable way to give a great first impression. (These headshots were created for recruitment firm  Optima UK  who asked to have their logo placed behind them. I think it makes these headshots quite eye catching and they should do their job well.) 2. Using a professional to create your headshot will convey yo

I am Still Me: A Story about a Transgender Boy

  Meet Leo. Leo is 15 and currently going through an epic transformation that has momentarily turned the lives of himself and those around him upside down. A mum who once had the daughter she always longed for is now coping with the realisation that she will be living the rest of her life with a son instead. When your child is born you have certain expectations of the typical life they will lead but most of us know and accept that it won't necessarily end up the way we imagine. Not every person wants to marry, have kids or be involved with the opposite sex. Most of us have come to accept this and can adjust to whatever comes our way relatively easily. But few of us have expected to have to deal with a change in sex. Its not that we've hoped it won't happen, but just that it never occurred to us that it might. This is a new adjustment that we as a society are being presented with today, just like so many others that have come before. When I first heard that Phoebe

Portraits of a Beautiful Young Woman and Her Guitar

You may remember a while back when I did a casting call looking for teenage boys and girls. Well this is the girl I chose. I had quite a specific look in mind, one which included really long hair. I have always had a thing for long hair. The choice also became quite simple when this young lady put herself forward as she is someone I've been photographing through school for several years and she is a past member of the Hinckley Athletics Club where she has been coached by my husband for nearly as many years. He's always had a soft spot for her, being one of his first members which helped my decision. When I have projects where I want to work with a model rather than a paying client I like to use friends or past clients whenever possible as it enables me to give something to those who have been loyal to me. Wallis has been a pleasure to work with. She is a stunning, confident young woman. In addition, she could bring props with her that I love. I've been wanting to ph

Its a Dog's Life

When life gets tough I always look at dogs or my cats and think how lucky they are. I know not all are treated well but those lucky enough to be in a good home, like the ones who come into my studio, have a really great life. They look so happy and its a wonderful thing to see.  I honestly love photographing dogs. They are a joy to work with and its almost impossible to produce a bad portrait of a dog which does of course make my life a little easier. I am someone who really needs to love the work I create. I can't help but love the portraits I've created of all the dogs I've photographed over the years. And this shoot was certainly no exception. I found it a real pleasure using a lighter background this time too. I do often gravitate towards darker looks but seeing as this dog had a light coloured coat I thought I'd produce lighter images. This gave me the chance to use a canvas I painted a couple of years ago but never really used and I absolutely love it