Skip to main content

Male Nude Masterclass at the Societies Convention in London


Here are the results from my masterclass at the convention just over a week ago. During this talk I set out to show 3 different lighting techniques using just 2 lights and a white background. I sometimes use more than 2 lights but I wanted to show that good photos can be produced with the minimum of kit.


For the first we used a beauty dish to light our model with a second light for the background to give us a high key result. Had I been in my studio I would have used 2 lights to light my background but for such a tight crop the one light (centralised) was clearly good enough.


For the second I used a softbox (strip light) on one side with barn doors on the second light on the other side. In hindsight I wish I had a grid with me to soften the light coming from the barn doors side. Not being in my studio I didn't have all my kit to hand so had to use what was available on the day. I found the bare bulb a little too strong here. Notice how we managed to get the white background nearly black simply by bringing the subect further from the background and making sure the lights were pointing away from the background.


And the final image was done with a single exposure but with multiple occurances of the flash. I would have prefered to have taken longer to set this image up in order to get the background darker and the model more accurately exposesd but with only an hour and a half class we were limited.


I have found that a 6 second exposure works well in terms of giving the model enough time to move about. From there its just a matter of working out the exposure for each burst of light. If the room is dark enough, which it nearly was but not quite, it doesn't really matter what shutter speed we use in our light meter as only the flash is hitting our subject. I would also have brought the model and lights further from the background in order to ensure little to no spill hit the background to keep it darker. And finally I needed to work with the model a little more to get him posing the way I would have liked him for such an image. Below is the sort of shot I was going for.

I had an amazing time doing this masterclass. I ended on such a high, feeling better than I have felt for any of my classes in the past. I was so glad I stepped outside my comfort zone and had a go at giving a lighting demonstration. Thank you to all who attended. Your interaction and feedback throughout made it a great couple of hours for me.
Labels:

Comments

Post a Comment

Popular posts from this blog

London in Spring, Whats Not to Love?

Well I know there is still a lot not to love but I'm choosing to see the great things about London at the moment. I am having a ball this year visiting London as often as I can. Which is unusual for me since I usually prefer the comfort of my own home, in rural old Leicestershire. Staying home and avoiding people has always been the easy option. But this year, possibly due to the wonderful weather we keep having, has me longing for venturing out. Again, just like my last trip, I headed out with my good friend Panikos Hajistilly . Living in North London he finds it easy to meet up for our shoots. This time though I had more of an idea of the sights I wanted to use as the backdrops for my portraits. With it being spring I was in search of colour, preferably flowers. Admittedly. I didn't quite get what I was looking for. The white fronted terraced houses with pink magnolia trees we did not find unfortunately. But I did make it to Peggy Porchen's which was a must see on m...
1 comment
Read more

Family Photos with Flair - Vanity Fair Style Family Portraits

This style of portrait continues to be the eye catching success I had always hoped it would be. Once again I created a beautiful family portrait that I am really proud of and I know this family loves too. Over the years I have developed this style through influences such as Vanity Fair and the many photographers I follow, though I hope that there is something in here that is entirely my own. Having my work easily identified as my own was a goal of mine from the start. Getting to the point where people will want not just a portrait but a Christina Lauder portrait is where I've always wanted to be and I'm hoping I'm on way. These portraits were created for the family of two professional photographers who wanted some portraits of their own. Family portraits isn't really something one can do of oneself, at least not easily. So they needed the services of another and I was honoured to be chosen for the job. They chose me not just for my style but also for my ab...
Post a Comment
Read more

Teen Portraits - Prom Season is Just Around the Corner

If your child is heading to prom in the next couple of months I'd say there is probably no better time than now to have portraits created of your growing teen. With the purchase of a new (and probably expensive) outfit wouldn't it be nice to capture this milestone with a portrait created by a professional. Across the pond this is a hugely popular time to create portraits, and although I am not American (I'm Canadian) I wholeheartedly agree that this is a special moment to record. My prom was a key memory in my teen years and in fact I myself had professional portraits created also. I think I'll go dig them up if I can, though admittedly I think my mother has them back in Canada. I wonder if I can get her to scan one for me. My daughter is currently making plans for college and in the running is one that will move her away from home, as many others are probably experiencing for themselves, particularly those who are 18. This makes it all the more important to ...
Post a Comment
Read more

Fine Art Portraits of a Beautiful Young Girl

So this is really becoming my thing lately. I am having so much fun working with children individually where I can direct and interact in ways that bring the best out of my subject. This has certainly become a process now of creating rather than taking photographs. And its what I have always wanted to be, a portrait artist rather than a photographer. I cannot put into words fully just how rewarding this is. For each of these shoots (as with nearly all of my shoots) we begin with a consultation where we discuss what we would like to achieve in the shoot. Here we will consider the type of clothing and any possible props. We will look at both the clients clothes and my ever growing collection so we can pick what will work best. In all circumstances we are heavily guided by what the child in the portraits wants to wear as I see this as vitally important. If he or she is uncomfortable its going to show and the portraits won't work. But most are happy to play dressups and wear a com...
2 comments
Read more

Never Work With Children or Animals

Or so the saying goes. But I have to say that working with dogs has been so lovely. They have been almost entirely a dream to work with. I say almost entirely because we have had a few moments where a dog has needed to settle. And one moment where the dog had settled but one of my cats decided to have a look through the glass door which, as you can imagine, rather quickly unsettled the dog. Still, that didn't stop us from creating incredible work. In fact it was during that shoot with the cat instance when I created two of my favourite pieces, shown below. (It was while sitting on the couch here when he noticed the cat peering through the curtain) I don't know if I've just been lucky or all dogs are just easy to work with. I photographed a french bull dog puppy and I thought that would be tough as he hadn't had time to be properly trained yet. But he did everything we wanted in no time at all. And this included the props we used here (below), which to me...
Post a Comment
Read more